![]() ![]() Click “OK” and wait until the merging process completes. Step Two – So now you are all set to start Affinity Photo’s HDR merging. Keeping the “Tone map HDR image” box checked means that you’ll be automatically directed to the Tone Mapping persona in Affinity Photo after the HDR merge has completed. If your subject moved between shots, you want to keep “Automatically remove ghosts” ticked. Underneath the dialog box, you’ll notice a few options, such as, “Automatically align images”, “Automatically remove ghosts” and “Tone map HDR image.” These settings are checked by default, and typically you’ll need to keep them checked.įor instance, keep “Automatically align images” checked, if you didn’t use a tripod or your camera moved while shooting the bracketed images. Now click on the “Add” button below the dialog box and upload all the bracketed photos you want to merge. Step One – In Affinity Photo, go to File and then scroll down and click on New HDR Merge, which will open a new dialog box. After the merge, you’ll use the tone mapping persona in Affinity Photo to fine-tune your final image. ![]() Now you can start the Affinity Photo HDR merge process. Once you’ve taken a series of photos using your camera’s ‘bracketed exposure’ function, like the series of images above, you should import them into your computer. _CONFIG_colors_palette_CONFIG_colors_palette_ DOWNLOAD THE ADVANCED AFFINITY PHOTO COURSE NOW! Tone Mapping With HDR merge in Affinity Photo ![]() You can use any HDR tool to tone-map your images, however, in this Affinity Photo HDR tutorial we look into how you can get the best results if you want to create HDR images in Affinity Photo. It still squeezes the dynamic range to make your photos displayable on any regular monitor, but the image retains its HDR look for the most part. Instead of compressing the whole dynamic range at once, tone mapping allows you to adjust the contrast level locally. The result could be a flat-looking, low-contract HDR image.īut don’t worry because you can fix this with tone mapping. That means you need to compress the dynamic range of your HDR photo in order to display it on a regular monitor. ![]() HDR images are 32-bit files, while most monitors can display 8 or 16-bit files. But one problem with HDR images is that they are not compatible with regular, low-contrast display tools. HDR photography works by taking multiple snaps of a high-contrast scene at different exposure levels and then blending them together in post-processing to create a single image comprising of the best parts of each snapshot. You can fix this to some extent with Photoshop or by using the Highlights/Shadows slider in Adobe Camera Raw (ACR) or Lightroom, but High dynamic range (HDR) photography is by far the best solution to this problem. When you do the opposite (expose for the bright sky), the dark areas lose all the detail. When you set the exposure for the dark areas, the highlights get blown out to white. Unlike human eyes, digital cameras cannot capture both the brightest and darkest parts of an ultra-high-contrast scene, with equal clarity.ĭownload our Free ebook: Quick Start Guide to Affinity Photo If you’ve ever tried capturing the bright sky against a dark foreground on a sunny day, you’d know the challenge. Capturing high contrast scenes often requires merging several exposures into a single image using a HDR tool like the inbuilt Affinity Photo HDR Merge tool. Even though cameras are continually improving. High contrast scenes are the bane of digital photography. ![]()
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